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In the late 19th century, women wore chatelainesbelts or clasps with attached chains for storing household items. They marked a womans domestic status, signaling who was the lady of the house and who was just a servant. Precious metal chains signified a wealthy woman, and the chatelaine with the most keys revealed who had total authority via access. As industrialization took hold, travel picked up too. The train case emerged, a prototype for the modern handbag, and became an outward sign of mobility. Handbags also started to signify the freedom of a womans body. The layers of fussy underclothes and petticoats common before the late 19th century also allowed stowage of carrying bags underneath. But once women freed themselves from those garments, exposing more of their physical form, they lost the space for pockets. The external bag offered a practical solution. And this new result of fashion emancipationcalled the reticule, a small bag on a chaincould be marked as the beginning, too, of its homophone, ridicule.

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